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The Natural: A Novel (FSG Classics), by Bernard Malamud
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Introduction by Kevin Baker
The Natural, Bernard Malamud's first novel, published in 1952, is also the first—and some would say still the best—novel ever written about baseball. In it Malamud, usually appreciated for his unerring portrayals of postwar Jewish life, took on very different material—the story of a superbly gifted "natural" at play in the fields of the old daylight baseball era—and invested it with the hardscrabble poetry, at once grand and altogether believable, that runs through all his best work. Four decades later, Alfred Kazin's comment still holds true: "Malamud has done something which—now that he has done it!—looks as if we have been waiting for it all our lives. He has really raised the whole passion and craziness and fanaticism of baseball as a popular spectacle to its ordained place in mythology."
- Sales Rank: #122120 in eBooks
- Published on: 2003-07-07
- Released on: 2003-07-07
- Format: Kindle eBook
- Number of items: 1
Amazon.com Review
Roy Hobbs, the protagonist of The Natural, makes the mistake of pronouncing aloud his dream: to be the best there ever was. Such hubris, of course, invites divine intervention, but the brilliance of Bernard Malamud's novel is the second chance it offers its hero, elevating him--and his story--into the realm of myth.
Review
" A brilliant and unusually fine novel." -- "The New York Times"
" A preposterously readable story about life." -- "Time"
" Malamud [holds a] high and honored place among contemporary American writers." -- "Washington Post Book World"
" The finest novel about baseball since Ring Lardner left the scene." -- "St. Louis Post-Dispatch"
"A brilliant and unusually fine novel." --"The New York Times""A preposterously readable story about life." --"Time""Malamud [holds a] high and honored place among contemporary American writers." --"Washington Post Book World""The finest novel about baseball since Ring Lardner left the scene." --"St. Louis Post-Dispatch"
About the Author
Bernard Malamud (1914–1986) wrote eight novels; he won the Pulitzer Prize and the National Book Award for The Fixer, and the National Book Award for The Magic Barrel, a book of stories. Born in Brooklyn, New York, he taught for many years at Bennington College in Vermont.
Most helpful customer reviews
0 of 0 people found the following review helpful.
A different Roy Hobbs than the movie, but still a great read!
By Mark Chitwood
I made the mistake of seeing the movie first. While Roy Hobbs' desire to just play ball and be 'the best there ever was' is still there, there is no warmth to the character as there is in the screen version.
That said, Mr. Malamud does fashion a great story about a self-absorbed, talented athlete (imagine that!) for whom Fate finds many ways to deny him the things that he wants most in life.
0 of 0 people found the following review helpful.
This book might have been regarded well mid century, ...
By Julia C. Jennings
This book might have been regarded well mid century, when it was written, but the writing form does not translate well to today. If this book was written today, I doubt if anyone would publish it.
7 of 11 people found the following review helpful.
The SUPER-Natural
By A reader
This book ought to be titled "The Super-Natural," rather than "The Natural," since there are so many mythic and magical elements to it, in both style and content. Forget about any comparisons to the feel-good/and-they-lived-happily-ever-after movie starring Robert Redford. Don't get me wrong--I loved the movie, but still, Malamud must have been tearing his hair over what Hollywood did to his dark, tragic fable of thwarted human ambition, greed and lust.
Even the main character's name, Hobbs, seems symbolic, or at least allusive: Hobbes (slightly different spelling) was a pessimistic philosopher who saw human life as a pitiless struggle for survival. Some reviewers have seen parallels with the King Arthur legend, but the novel isn't a contemporary retelling of that story. Malamud employs elements of the legend to give his own story a deeper, mythic resonance.
What this book ISN'T is a simplistic baseball novel, with a clean-cut hero overcoming adversities and becoming a winner in the end. As a reader you want to like Roy Hobbs, want to see him succeed, but Malamud keeps shoving a stick into his spokes. (Or maybe into his spikes.) His character is a man of unhealthy appetites. Roy's ambition to be "the best that ever was" in baseball is utterly self-centered and he's unable to see beyond it to any higher goal in life. His relationships with women are clumsy and coarse, and his fleeting visions of domestic happiness dimmed by lust and a tendency to want the wrong women for all the wrong reasons. Even his relationship with food is problematic. Toward the end of the novel he becomes the personification of the vice of Gluttony, stuffing himself to the point where he nearly causes his stomach to explode and he winds up in the hospital.
Without giving anything away, I think it's fair to say the book has a dark finale. This grim novel ends with an allusion to the Black Sox scandal--a newsboy begging Roy to "say it ain't true"--and Malamud offers a final line that sounds less like the King Arthur legend than like something from ancient Greek drama in its image of ruined hopes and tragic futility: "he lifted his hands to his face and wept many bitter tears."
Beats me how anyone can describe this brilliant, unforgetable but relentlessly bleak book as inspirational or uplifting. They must be confusing the novel with the movie.
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